"This zany homage/spoof has everything from severe camera angles to a soaring Hermann-esque score, including a few swirly effects. It basically throws in every Hitchcock pun imaginable while telling a story of a man (Sutherland) who is helplessly obsessed with the male member during a dinner party thrown by his Princess Grace-like wife (Jurd). This is deeply silly, full of corny jokes and very, very rude! And even though it's complete overkill, it will make you laugh. ***" www.shadowsonthewall.co.uk

A comedy of PSYCHO proportions!
Written & Directed by Stuart Vauvert • Produced by Andrew Arbuthnot

Susan would like to cordially invite you to a dinner party to help celebrate her perfect, married life with her husband, Steve. Unfortunately, it may not be as perfect as she thinks as Steve realises he likes the 'COCK au Vin' a little too much. A comedy where not everything is as it seems.

Synopsis from InsideOut, Toronto:
"What if Jimmy Stewart peered out of his rear window and saw two gay men making out? The sight unwinds our hero's tightly-wound 1950s world."

LONG SYNOPSIS
Steve has the perfect 50s lifestyle; a great job, a beautiful apartment, a loving wife and great friends. However, upon returning home from work one evening, Steve looks through his telescope and accidently witnesses something which could change his life forever. Unable to forget what he has seen, Steve discovers the effect this has on his psyche is far more than he can deal with as he comes to terms with his dark secret.

DIRECTOR'S STATEMENT
Alfred Hitchcock knew that only half the thrill of his films was in the suspense. The other half lay in the innuendo that surrounded the suspense - sex, shame, fetish, and fantasy. Hitchcock is said to have confided once in a gay friend that, if he hadn't met his wife when he was still young, that he "could have been a poof," suggesting (even if he was kidding) that the homoerotic subtexts in some of his movies weren't just pipe-smoke. Hitchcock knew that sex, secrets and suspense are all wrapped up together.

With HITCH COCK the concept of equating homosexuality and desire with murder is political, subversive and comical. Although this is a comedy on the surface, it is also a psychological drama and has a general comment, as the main character, Steve, is a witness to a sexual act between two men it is as if he has witnessed a murder. Although, it is not so much that he has seen the 'murder' but that the 'murderers' have seen him. Therefore the story is about whether, and how, the murderers (literally or metaphorically) catch up with him. If this was a murder, then the pressure on Steve is two-fold: the gay couple (as murderers) want him to keep their secret; and the conservative wife and friends (as detectives) pressure him to reveal it.

HITCH COCK is loosely based on Sir Alfred Hitchcock's 1929 film Blackmail which was Britain's first talking film. In Blackmail the lead actress is haunted by images and sounds of a "knife" after she murders a man in self-defence. HITCH COCK is set in a 1950s situation comedy style of a seemingly harmonious marriage where life appears as simple and perfect as the next heterosexual couple. We follow Steve's hallucinations after he witnesses an intimate situation through his telescope while his perfect house wife, Susan, is preparing dinner for their guests. Throughout the entire evening Steve is bombarded with sexually charged metaphors and images which are a constant reminder that he has perhaps unleashed inner feelings he may not be ready to deal with.

SCREENINGS

Mix Brazil: Sao Paulo, Rio de Janeiro, Brasilia
November/December 2005

Copenhagen Gay & Lesbian Film Festival
October 2005

REEL Affirmations: Washington Lesbian & Gay Film Festival
October 2005

Lisbon Lesbian & Gay Film Festival
September 2005

Rhode Island International Film Festival
August 2005

Philadelphia Gay & Lesbian Film Festival
July 2005

Frameline29 San Francisco International LGBT Film Festival:
"Return of the Antipodeans" package
June 2005

Out Takes: Auckland, Wellington, Christchurch, New Zealand
May/June 2005

St. Kilda Film Festival
May 2005

InsideOut Lesbian & Gay Film & Video Festival of Toronto
as part of the Retrofit Programme
May 2005

Turin Gay & Lesbian Film Festival
April 2005

Bendigo Queer Film Festival
April 2005

BFI London Lesbian & Gay Film Festival
March 2005

Melbourne Queer Film Festival
as part of the OZ Shorts Package
March 2005

Kings Cross Arts Festival, Sydney
March 2005

2005 Mardi Gras Film Festival
Opening Night @ The State Theatre, Sydney
February 2005

STAGE ADAPTATION
Directed by VINCENT SIMON

As part of the 2005 Short & Sweet Festival
Newtown Theatre at the Edge.
February 2005

   

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